After my earlier exploration of historical romance fiction (see my previous post at https://crecs.wordpress.com/2016/06/06/the-men-of-regency-romance/ ), I decided to venture into the history of more broader genres, namely crime and romantic fiction, to determine their importance in twenty-first century culture.
This blog post is from Jannat Ahmed (@PemberleyParade), a Masters student in English Literature at Cardiff University. Her research interests include the authorship and readership of the eighteenth-century novel, the popular novel of the twentieth and twenty-first centuries, fanfiction culture, and postcolonial and feminist theory. She hopes to pursue a doctorate investigating the relationship between the girl reader, the woman writer and the male critic in British literature.
The journalist Caitlin Moran believes that culture precedes politics in motivating change in society, and I agree. Yet it seems to me that the importance of ‘low’ culture, particularly in terms of genre fiction, is often overlooked. Despite its prevalence, critics and reviewers sometimes engage in an unfortunately token relationship with genres such as romance and crime fiction. Rightfully so, perhaps, one might say, when much of these fictions are reproduced, predictable texts that follow a traditional plot-line. However, much as critics…
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